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Six of Crows (5 points)

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     Leigh Bardugo is the closest author I can say that I am an active fan of. I read the Six of Crows duology back when it first came out, and I am really fascinated by her other book The Language of Thorns. When I was younger, it was because of the cover art more than the actual text of the book. This week was definitely a break for me, so I wanted to revisit a childhood favorite, and it was honestly better the second time.      When I would try to convince my friends to read the book, I would always say that it was a fantasy heist book with teenagers who honestly are more mature than they should actually be. After re-reading it, I am honestly dumbfounded how Bardugo managed to write a mystery novel under the guise of a heist plot. I have a novice appreciation of story structure and have always loved how mystery novels are written. Going back through the book made me realize that the group of six deplorable teenagers could have been doing anything and th...
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An Unkindness of Ghosts (5 points)

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     An Unkindness of Ghosts was kind of a weird one for me. On one hand, I loved Aster as a character. She’s the type of person I would have never thought would be such a compelling protagonist. Her relationships with Griselle, Theo, and Mesuline felt extremely natural, more than anything I’ve really read before. The way that Rivers Solomon talks about and handles gender in both Aster and Theo feels like the exact opposite of my last read, Left Hand of Darkness. The way that Aster explains herself as an amalgamation of man, woman, and witch feels more natural and real than a strictly scientific look at gender. Rivers uses they/them pronouns in their bio, so I know that they way gender is handled is from an insider’s perspective. The world of Matilda feels like the cross between the Handmaid’s Tale and Wall-E in a very convincing way, and the way race is approached is rooted in first hand experiences and study. Really, this should be at the top rankings of books I have re...
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The Gospel of Loki (5 points)

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     When I went into The Gospel of Loki, I was extremely excited by the forward. I’ve read and listened to my fair share of myths and legends through everything from video games to podcasts, so the prospect of having a catalogue of Norse myths through the eyes of Loki sounded extremely entertaining. The gravitas seeping through every word of the foreword made me super excited to see these classic tales, told from the “right” perspective. Yet, as I read, I became less and less entranced by Joanne Harris’s writing. I guess maybe I was expecting something more unique, but when I realized that the book was just going to be Norse myths I’ve heard before almost verbatim with the occasional snark, I lost interest pretty fast. There are some really interesting themes and motifs about how winners are the ones who write the stories and how outsiders will, by nature, never be fully accepted by the majority and were interesting to explore. Loki’s personality was another big factor f...
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